Stone Figures, Vanishing Spires

Eight frames move from carved and cast figures to living passersby and back to pure light: a relief figure in shadow, a tilted plaza, silhouetted towers before a low sun, a portrait before a pale colonnade, carved state names in raking light, a winged horse beside a partly draped figure, a washed-out field of leaves, and curved spires dissolving into a pastel banded sky.

carved relief / civic architecture / colonnade / public sculpture / winged horse

The sequence opens in low bluish light with a carved relief: a muscular figure with flowing hair and drapery set beneath a flat horizontal band, with column-like forms at the upper left. From there it steps into full daylight, where a wide paved plaza tips at a steep angle and two people stand pressed together while scattered visitors thin out toward a line of green trees.

Low warm light carries the middle of the set. High-rise buildings stand in near silhouette against a cloud-banded sky, the low sun glowing in the seam between two towers. A woman in large tortoiseshell sunglasses and a denim jacket faces the camera in warm light before a blurred columned facade, and the colonnade then fills a frame on its own, fluted columns under two carved bands of names that include ILLINOIS, MAINE, MISSOURI, and FLORIDA. A green-patinated sculpture of a winged horse rearing beside a mostly unclothed figure with drapery around the lower body rises from a stone pedestal edged with raised stars.

The set closes on two kinds of dissolve. One frame is almost entirely washed out, pale leafy branches rising into a grainy gray-blue field crossed by a faint yellowish bar. The last frame answers with slender curved spires lifting from the bottom of the frame into a sky banded with peach and lavender, a line of dark treetops tucked into the lower right corner.

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Carved relief of a muscular figure with flowing hair and swirling drapery, one arm raised, beneath a flat horizontal band with column-like forms at the upper left.
A carved relief figure, hair and drapery mid-billow, surfaces from shadow beneath a flat horizontal band.
Two people stand close together on a wide paved plaza seen at a steep tilt, with scattered visitors and a line of green trees behind them.
A broad paved plaza tips on its axis in bright low-angle sunlight while two people stand pressed together in the foreground.
High-rise buildings silhouetted against a gold-and-gray cloud-banded sky, the low sun glowing in the gap between two towers beneath rows of small scattered clouds.
High-rise buildings stand in near silhouette against a cloud-banded sky, the low sun caught in the narrow seam between two of them.
A woman in large tortoiseshell sunglasses, hoop earrings, a chain necklace, and a denim jacket faces the camera before a blurred columned building.
Warm low light falls on a woman in oversized tortoiseshell sunglasses and a denim jacket, a pale colonnade dissolving into blur behind her.
Sunlit colonnade of fluted columns beneath two carved bands of names including ILLINOIS, MAINE, MISSOURI, and FLORIDA, with dark treetops at the lower corners.
Warm light rakes across a colonnade of fluted columns, two carved bands of names running the full width above them.
Low-angle view of a green-patinated winged horse rearing beside a mostly unclothed human figure with drapery around the lower body, atop a stone pedestal edged with raised stars.
Seen from below, a weathered winged horse rears beside a partly draped figure, the pedestal's corner studded with rows of raised stars.
Pale leafy branches rise from the lower left into a heavily grainy gray-blue field crossed by a faint horizontal yellowish bar.
A yellow-green cast drifts over the right side of a heavily grained frame, the pale bar's soft lower edge fading into haze above two clusters of leaves.
Slender curved spires rise in soft focus against a sky banded with peach and lavender clouds, with dark treetops in the lower right corner.
Slender spires curve up from the bottom of the frame into a peach-and-lavender sky, a line of dark treetops tucked into the lower right corner.