CV — GEUSE

CV — GEUSE Published Projects

A 35mm color-negative archive shot roll by roll — Observational frames of available light, stock accidents, and what shows up when you stay with a place.

Figures, Gates, and Open Sky - The view moves from a courthouse facade to a backlit abstract figure and finally toward a gate opening into grass.
Flowers and a Headstone - A three-frame progression from white blooms to the flowering ground surrounding a headstone.
Rows Beneath Autumn Leaves - The project contrasts vegetation and seasonal color with a metal gate, low walls, grave markers, and the repeated geometry of a landscaped burial ground.
Rock, Water, and Color - The sequence alternates broad landscape views with closer studies of people, foliage, and concrete before recognizable scenery gives way to overlapping colors and linear marks.
Street-Level Passages - A curbside progression in which commerce, infrastructure, a dog, and people appear through shifting foreground obstructions, followed by a closing view of traffic in motion.
Intervals of Visibility - Partial visibility connects isolated forms, softened architecture, layered color, and subjects defined by concentrated light.
Motion Under Interior Lights - Motion repeatedly obscures the red-and-gold figure while columns, chairs, lamps, checked fabric, and an ornate barred object retain fragments of the surrounding interior.
Between Deck and Open Water - Water, deck surfaces, railings, reflections, people, and distant land establish changing scales between the boat and its surroundings.
Between the Carved Towers - The gateway remains fixed while the sequence shows visitors below it, one person before the steps, two front-facing stances, extended arms, and a final rear view.
Blur, Stone Forms, Open Water - The edit contrasts densely layered human figures with increasingly spacious views of dark structures, foliage, water, exposed rock, and one small primate.
Between Ground and Canopy - A sequence built from changing sightlines and visual layering: dark forms against pale sky, colored containers against vegetation, and a seated figure enclosed by foliage.
Figures, Bundles, Open Sky - The sequence shifts from crowded street-level forms and repeated shutter lines toward backlit carvings, open sky, and a low-angle view of a cloth-draped statue.
Courtyard to Afterglow - Built environments and their surroundings trade places across the sequence: recreational hardware shares paving with carved stone, plants press against masonry, and the frames pull back through canopy and mountainside...
Street to Shoreline - Seven frames trace a single walk from a built threshold to open water: gateways, tarpaulin awnings, and lettered signs give way to moving scooters, then to boats and a quiet shoreline. Motion blur and soft focus run...
Along the Waterline - Changes in scale, backlighting, and natural framing connect boats, a small turtle, distant figures, palms, reflective water, and the low sun.
Curves, Canopy, Cloud - A study of changing scale in which pale architectural curves, a single person, gray sky, forested ridges, and a broad mountain give way to blurred vegetation.
Trip to Ojisan Film Lab - An errand to a working film lab, told in five frames: the road on the way, the storefront and three helmeted people in green jackets, film sold from a vending machine, a woman on her phone beside a couch, and the neon...
The Path Disappears First - Three frames describe autumn through subtraction: first the pavement, then the people, then almost all of the leaves.
At the Water’s Edge - A waterside study moving between branching vegetation, reflected light, and changing views of adult geese and goslings.
At the Edge of Visibility - A study of subjects whose edges, contrast, or coloring make them partially merge with their surroundings.
Same Shots, Warm and Cool - A repetition study: the same dockside boat, the same portrait, and the same riverside shrub each appear twice, rendered once in saturated warm tones and once in cooler, more neutral color.
Roses Refusing Winter - Close roses, a blurred window grid, reflective water, and snow-lined branches register winter before autumn has finished.
From Open Sky to White Walls - A study of changing distance and proportion, using repeated layers, silhouettes, foreground subjects, vessels, and architecture to connect otherwise distinct scenes.
Fronds, Shore, and Ship - A study of changing scale across foliage, recreational beach space, open water, maritime architecture, and people within large white structures.
Edges of a Day at Sea - A loose sequence of standalone frames held together by water: views down from a ship's height, an abstract pane of hazy light, one crowded burst of costumed musicians, and wide, nearly empty beaches.
After the Sun Leaves the Frame - A three-frame study of a single low sun over open water: the sun on the horizon, an overlapping translucent structure sharing the same sky, and the amber horizon light that remains once no sun is visible.
Stone Figures, Vanishing Spires - Eight frames move from carved and cast figures to living passersby and back to pure light: a relief figure in shadow, a tilted plaza, silhouetted towers before a low sun, a portrait before a pale colonnade, carved...
Shoreline to Backroad - Eight frames that begin at the waterline under overcast light, brighten into a sunlit beach with a posed pair, and end on a road with a motorcycle rider and a cattle truck.
Double Exposure in Black and White - A sequence of six overlapping black-and-white exposures that layer trees, buildings, glowing cursive text, light trails, and carved stone into single frames.
Double Exposure B&W (II) - Layered exposures where two scenes coexist in one frame, moving from painted surfaces to sky, architecture, water, and stone.
Double Exposure B&W III - Each frame stacks two visible scenes: hard-edged objects and lettered signs on one layer, plants or patterned surfaces on the other, so that neither layer fully covers the other.
Sun Blade, Blue Cross, Red Water - Three visually disparate frames - a sunlit portrait, a blue-lit sanctuary interior, and an overhead view of tinted water - grouped for their shared contrast of sharply divided light and color rather than any confirmed...
Close, Then Far - Eight frames move from surface to room: two macro studies of pattern and fiber, a wall of small gold-framed landscapes and a single frame corner, then a gallery interior, a painting of dancers, a heavily framed...
Through the Pane - A walk through an interior where lit tubing, striped color, warm stone, and a translucent red object are bracketed by two neon works seen through reflective glass.
Plants Around a Listening Machine - A domestic listening setup becomes a contest between orderly machinery and the plants pressing in from every edge.
Numbered Mosaic Pillars in a Tiled Passage - A photographic inventory of round, tiled pillars, each carrying one mosaic numeral in a checkered band, arranged as a descending count that skips two digits.
A Snow-Capped Peak Above Layered Ridgelines - A sequence of high-altitude views looking down across layered ridgelines toward one recurring snow-capped peak, its position, haze, and framing shifting from frame to frame.
The Street Arrives Upside Down - Seven downward views rebuild a city from standing water, one broken facade and passing body at a time.
Loose Frames - A loose walk through a dense commercial district, moving from a still figure amid passing traffic to layered signage and finally to a vintage-style sports car in motion.
Shop Counter to Splayed Hand - A two-frame portrait pairing that moves from a wide interior view to a tight, gesture-led close-up of one subject.
First Up, Then Across - A short sequence that moves from static facades seen from below to the hardware of a level crossing, contrasting fixed structures with motion-blurred trains.
Chrome Held Against Darkness - Three low, close views strip parked machines down to contact points and glare.
Finding Twillo — A Night Search - A long-exposure night sequence tracing a search through transit corridors, traffic-lit streets, and convenience-store glow, closing on a blurred figure and a glowing glass vessel.
A Tsukiji Market Afternoon - A midday sequence through Tsukiji market's food stalls, tracing shared food, passing traffic, and waiting shopkeepers before closing on a single backlit snack.
A Sculpted Creature Across Four City Frames - A short sequence following a large sculpted creature head and figure through different settings, from a blurred street-level reflection to an elevated view above illuminated hotel and cinema signage.
Takeshita Street Afternoon Crowd - A sequence tracing a crowded pedestrian street from an elevated view of its signage-packed lane, through its entrance arch, to a softly blurred newsstand that closes the walk.
Heart-Marked Food Stall and Rooftop Lunch - A single sequence pairing a ground-level food stall with a rooftop view, connected visually by heart-shaped marks appearing in every frame.
Wood Room, Night Street - A sequence that alternates between a still, warmly lit interior and blurred, brightly lit exteriors after dark, bookended by two frames where light itself is the subject.
Night Walk, Date-Stamped Roll - A night sequence moving from a shop window display through neon-lit streets and waiting traffic, up to a scribbled high-rise and a blurred car, closing at a lantern-strung street stall, every frame carrying the same...
Lanterns, Tags, Electric Creature - Four frames trace a night city from architecture made luminous to two street surfaces that write back.
Night Walk Near Shibuya - A night sequence moving from a lit street corner up an elevated walkway's stacked signage, into blurred and overpass views of the street, then upward to clouds, a high-rise, and a closing neon tiger.
After Hours, Seven Interruptions - Seven unconnected night-time street frames that hold together through shared tone: artificial light, motion blur, and glimpses of urban clutter.
The City Becomes Pure Light - Eight night-time frames that move from a blurred indoor moment through a recurring lit storefront to close signage and dissolve into pure abstracted light.
People At Work: Five Loose Frames - A set of loose, candid frames tracing different kinds of manual work — a kitchen counter, a barbershop chair, a street-level cart, and two views of a utility bucket lift high above the street.
Notices, Seals, and a Neon Night Crossing - Seven night frames that move from close public-notice and seal-rack details into a densely signed street crossing, returning to it from several angles and distances.
Heart-Shaped Light Marks Over Street Scenes - A sequence of documentary street photographs unified by recurring translucent heart-shaped light marks that appear across most, but not all, of the otherwise unrelated urban scenes.
Light Leaks, Tie-Dye, and Mirror Stairs - Five night frames that move from an abstract light leak through diamond-hung tie-dye fabric to pink-outlined architecture and a magenta mirror-paneled staircase.
A Daylight Walk From Storefront To Truck - A five-frame daylight sequence bookended by storefront and delivery-truck signage, passing through a backlit pedestrian bridge and a narrow street of stacked shop signs; signage within the sequence itself names two...
Loose Frames From a Street Roll - A set of loose, unrelated street frames unified only by their shared roll, ranging from dense poster and print signage to motion-blurred night exposures and a bronze statue.
A Street Roll Around a Lattice Tower - A sequence of street photographs unified by a recurring red-and-white lattice tower glimpsed from different vantage points, framed by a staircase, an avenue, an expressway, and finally a building where window washers...
A City Walk From Rooftop to Street - A sequence that changes altitude across the city, opening on distant rooftops seen through glass, dropping to street-level signage and architecture, and closing on a nighttime convenience store and a daylight upward...
A Night Walk From Street To Table - A seven-frame night-walking sequence that keeps shifting between street and interior — a fractured mirror facade, a bar's amber still life, an open ramen counter, a train platform pause, a newsstand, a glowing...
The Clock Tower, Three Distances - Six frames that move from a clock-tower building and a sunlit corner through one office block viewed from three distances, closing on a hazy mountain ridge.
A Street Roll From Daylight To Platform - An eight-frame loose sequence spanning daylight and night, moving from a signage-dense shopping street and an arcade claw machine through tilted and motion-blurred street portraits to illuminated nighttime storefronts,...
Street Shots: People and News Stands - A single walking sequence built from five street frames: a printed media display, a hillside street crossing, a mural encounter, a stairwell ascent, and an elevated sidewalk view, tied together by overhead wires,...
Windows Before Closing - Five evening street frames that move from a storefront window's large figure image through a drugstore aisle to a quiet alley and a motion-blurred restaurant front.
A Roll From Street Corner To Red-Brick Facade - An eight-frame roll bookended by street-level and architectural scenes, passing through an amusement-park Ferris wheel ride and a pine-lined moat before closing on a red-brick facade and a plaza of police motorcycles,...
An Aerial View Across a Dense City - A sequence of elevated views looking out and down over a dense city, opening on nearby glass-capped towers, descending into rooftop-level texture, and closing on a distant skyline beneath shifting cloud cover.
Cat Figurines, Temple-Style Grounds, and Ivy-Draped Streets - Eight frames that move from a garden tree and rows of small cat figurines through temple-style grounds and roof details to an ivy-covered street and a small storefront outside.
Circling a Lit Lattice Tower at Night - Eight night frames that circle a floodlit steel lattice tower -- from a distance, from directly beneath its legs and girders, and finally glimpsed through a red wooden gate.
Gold Bloom, Returning Birds - A small two-frame set pairing a close, sharply focused flower study with a wide reflective water scene, moving from a single warmly lit bloom to two silhouetted birds crossing a sunset-colored reflection.
Glass, Industrial Wall, and a Parked Car - A short sequence that shifts from an upward view of a glass building to street-level industrial details and finally to a parked vintage car in front of a row of gabled storefronts.
Deer Grazing Beside a Rippled River - Five elevated frames of a deer grazing in bankside grass beside a rippled river, moving from close, partly obscured views through a sun-flared frame to a wider view where the water dominates.
Rocks, Ruins, and River Reflections - A single outing's sequence that moves from boulders and undergrowth to a bridge and a derelict, graffiti-covered building, then closes on still-water reflections of sky and cloud.
A River Evening: Swimmers, Herons, and a Freight Train - An eight-frame sequence that opens under a railroad trestle where people swim and jump from graffiti-covered piers, moves to herons and shorebirds working the rapids and rock flats at sunset, pauses on a close study of...
A Ridge at Dusk: Sun, Sky, and a Dead Tree - A six-frame sequence that tracks the light fading over a ridge overlook, from a sunlit sky and a brief sun flare through layered mountain views to a dead tree silhouetted against the sun at dusk.
A Walk From Courthouse To Memorial Gate - A seven-frame walking sequence moving from civic and working subjects — a courthouse sculpture and firefighters beside their engine — to a recurring iron cemetery gate photographed across several return visits, closing...
From Open Sky Into a Blossom Canopy - A five-frame sequence that begins with soft-focus blossom branches against open sky, pauses on a nearly empty sky with a single branch, then pushes closer into a dense blossom canopy by the final frame.
Three Long Exposures Of A Night Fire - A three-frame night sequence built entirely around a single fire, moving from a wide view of the full pit and its upright log to close, long-exposure studies of flame streaked over crossed logs and rising sparks.
A Foggy Night at the Marina - Seven night frames that move from a foggy shoreline and a fog-bound street through lamplit docks to moored sailboats and powerboats, closing on an elevated view of the marina in the mist.
Water Lilies After Dark - Five monochrome views move from isolated clusters toward low, reflective studies of blossoms and pads.
City Surfaces in Black and White - The sequence moves between flat street facades, repeating geometry, and deep architectural space.
Smoke, Stone, and Dark Water - The sequence moves from compressed architectural views into lilies, firefighters, an old car, and a bright fountain.
Art, Light, and Stairs - A passage from open sky and carved stone into quieter windowed interiors.
Copper Sky, City Forms - Low angles and warm color connect tall facades with brief views of birds, water, and public space.
Autumn Light and Monuments - Small domestic arrangements give way to civic figures and a brightly patterned gate after dark.
Two Ridges, One Weather - Dark water and a low forested band hold the base of distant white slopes.
Horizon Afterglow - Four views hold the same fading light across changing horizontal and vertical frames.
Passages Above Open Water - Sunlit structure gives way to a dim doorway window and a bright wall-mounted telephone with a hard-edged shadow.
Dusk Across Open Water - Muted horizons gradually introduce traces of travel: string lights, window frames, and a white wake.
Ice From Above - The flight draws close to crevasses, meltwater, snowfields, and waterfalls at the glacier edge.
Wooded Water Crossing - The sequence watches shorelines open and close across a broad moving body of water.
Rain Green and Harbor Light - The sequence stays close to bark and plants before opening toward buildings, carved wood, boats, and distant hills.
Pale Horizons Under Clouds - Vertical views of open water resolve into a wider landscape where a distant ridge meets softened rain light.
Forest, Water, and Carved Forms - The sequence shifts between close surface detail and wider views shaped by rain, timber, moss, and moving water.
Cliffside Ritual and Sea - The camera alternates between ceremonial details, open water, cliff faces, descending paths, and animals near the walls.
Fire Around the Circle - Obstructed close views of fire open into broad studies of movement and spectators.
Sunlit Stalls and Street Trees - Hard midday light divides small businesses and domestic facades from cool pockets beneath awnings and trees.
The Pen Behind the Stone - One frame turns a working pen into a layered problem of shelter and obstruction.
A Body Made of Light - Motion and long exposure turn one standing body into several overlapping gestures.
Deck Lines at Sea - The view shifts from surrounding boats to the bow, then downward across water, planks, and passengers.
Cliff Path and Cove - The sequence moves from a high turquoise cove down through the built edges of a hillside path.
October Between the Stones - The foreground leans and varies while the distant rows settle into a regular green pattern.
Bloom and Grid - A close study of spring color interrupted by a spare architectural pattern.
Snow Across the Waterline - Low contrast and drifting focus carry the view from a snowy terrace to distant trees and a dim boat light.
Figures Through Glass - Clear portraits gradually overlap and fade before the sequence dissolves into a pale industrial interior.
Wings, Water, and Leaf Shadows - Small birds and a sailboat give way to broad split leaves crossed by hard interior light.
Upward Lines - Black-and-white views collect steep angles and isolated symbols above eye level.
Two Palettes by the Marina - Two subjects return under different palettes, revealing changes in water, wood, petals, and sky.
Angles of Quiet Light - The sequence follows late light from exterior paving into an empty interior and back through garden surfaces.
Curved Metal Under Blue Sky - Repeated curves, seams, and glints of sun build a study of scale that ends at street level.
Turquoise Coastline - Warm skies and deep green-blue shadows bind a wandering sequence across city and shore.
Amber City and Desert Forms - The sequence pairs strong architectural lines with desert plants and night movement under a shifted palette.
Turquoise Shade, Sunlit Face - Two neighboring views balance painted architecture with a figure standing against open water.
Monuments, Counters, and Reflections - Angular sculpture leads toward stone animals, a raised flag, fenced space, a counter, and a blurred cyclist.
Monuments in Evening Light - A walk circles between water, skyline, stone architecture, and passing figures near sunset.
Surf, Stand, Passing Color - Two views connect open water and everyday commerce through distant figures and saturated awnings.
Winter Rigging, Double Seen - One layered frame folds shoreline architecture, a mast, and leafless limbs into a single uncertain space.
Bloom Against Chrome - Red, orange, turquoise, and gold crowd the frame while the metallic lines divide its floral field.
A Staircase Holds the Dusk - A single interior compresses circulation, structure, and late light into repeating lines.
Between Wood, Rock, and Current - Close textures open gradually toward rapids before returning to an animal sheltered beneath a vehicle.
Island Edges and Greenery - The sequence moves between cultivated walls and open terrain, returning repeatedly to faces and dense leaves.
Summit Light and Domes - Cloud decks and long shadows flatten the horizon while illuminated slopes and curved structures catch the last light.
Wet Green and Moving Light - Four distinct scenes connect through green cast, wet surfaces, and soft motion.
Neon Tides - Light leaks and double exposures push the sequence between abstraction, architecture, surf, and solitary figures.
Along the Rocky Shore - Warm silhouettes give way to blue coves, a distant marker, and framed views across the water.
Snow Lines at Last Light - The sequence alternates close ridgelines with broad summit views before closing on a thin orange afterglow.
Crater to Fire - The sequence crosses from distant steam and dry grass to an active orange vent after dark.
Black Rock and Palm Wind - The view alternates between close wave impact, low coastal vegetation, palm groves, and a wide horizon.
Sunset Over Dark Rock - The sequence begins at the feet, rises to the horizon, and returns to water held inside black rock.
Concrete Curves and Quiet Forms - Concrete arcs and soft gallery light shift the sequence from public scale toward quiet objects.
Numbered Columns - Three close views turn navigation markers into an architectural counting study.
Cats, Eaves, and Street Signs - The sequence moves from abundant small objects to restrained architecture and dense overhead infrastructure.
Red Structure at Night - Two views shift from a grounded facade to a dislocated, nearly abstract luminous structure.
Towers, Wires, and Passing Trains - Vertical buildings meet horizontal motion as rails, cables, barriers, and reflective metal divide the street.
Shuttered Night Streets - Green and amber light pulls stationary storefronts into motion and blur.
Red Weather on Tile - One blurred view turns streaking red light and small illuminated openings into a compact night study.
Night Signs, Narrow Sky - A single vertical frame turns ordinary wayfinding into a layered study of red, white, and amber light.
Heart Marks Through City Glass - The repeated shapes turn ordinary street movement into layered fields of glass, reflection, and bright color.
Everybody Between Signals - A single frame holds two movements at once: bodies across the street and language up the buildings.
White Truck, Wired Block - The vehicle divides the frame between layered storefront graphics and the tight geometry of the street.
Terminals and Turbines - Two airport views move from the circular mechanics of flight to the vaulted public space around it.
Ten Unconnected Observations - The sequence values abrupt changes in distance, color, texture, and scale across unrelated glimpses.
Figures and Surface - Distinct observations connect through repeated silhouettes, patterned skins, and interrupted light.
Red Flare at the Temple - Architecture and living forms alternate as bright film edges interrupt blue-green shade and reflective water.
Painted Walls Passing By - The sequence shifts from a long monochrome drawing to saturated figures and a large cropped face.
Green Night Between Shops - A green cast binds otherwise separate views of commerce, interior display, sky, concrete, and metal.
Palms and Pause - A shaded lawn becomes a loose social landscape between tree trunks, water, and sky.
Mountains Across Blue Water - Repeated horizons build a passage from open deck views to quiet shorelines and doubled mountain silhouettes.
Neon Signs and Moonlight - Commercial brightness gives way to a small red moon and a dark coastline viewed from above.
Sunset Along the Seawall - Horizontal water and sky carry changing bands of green, gold, pink, and blue through the short sequence.
Memorial Arches - A bright waterfront memorial alternates outward views with quiet interior spaces.
Oval Skies and Working Streets - Curved concrete, rectilinear facades, distant mountains, and fluorescent clothing create contrasting urban geometries.
Shore Beneath the Ridge - Two wide views balance the fixed mass of land against small bodies at the moving waterline.
Sun Between Towers and Trees - Hard tropical light alternates between broad street views and compressed vertical frames.
Roadside Appetites - Weathered lettering and night neon mark a compact route through roadside dining.
Yellow Board by the Tower - Small shifts in distance and angle turn a functional beach structure into a measured coastal study.
Backstreet Toward the Water - Weathered utility surfaces gradually give way to a bright horizon crossed by tiny boats.
Color Cannot Stay Behind Glass - The compressed frame turns painted lettering and reflected surroundings into one shifting surface.
The Bridge Is Gone, Water Remains - A single vertical landscape balances moving water, green islands, and weathered masonry.
Sun Flare and Red Flowers - The sequence treats flare, inversion, grain, and soft focus as visible surfaces rather than corrections.
Flights Between Towers - Each frame tightens the architectural gap while holding a small plane inside the blue sky.
Doors, Towers, and Evening Light - Warm lamps and reflected windows move between blue evening streets and sharply sunlit masonry.
Rooms of Books - Four portraits hold one figure within a dense interior of books and wall images.
Warm Rooms and Reflected Orbs - The camera moves between ambient rooms and close objects, using reflection and blur to multiply the light.
Luminous Needle in Motion - Changing camera motion transforms a recognizable illuminated structure into progressively abstract bands of light.
Falls, Ferns, and Old Trunks - Wide views of falling water alternate with close studies of bark, roots, ferns, and forest floor.
Portrait Beside Painting - Three frames hold laughter, composure, and gesture against the same easel-mounted painting.
Neon Faces After Dark - The sequence shifts from monumental signs to portraits, keeping warm skin tones beside cyan, red, and gold light.

Published Groups

People & Gatherings - 12 projects
Streets & Transit - 29 projects
Built Forms - 26 projects
Land & Water - 35 projects
Plants & Animals - 12 projects
Objects & Interiors - 8 projects
Light, Color & Surface - 31 projects
Visible Studies - 16 projects