Cats, Eaves, and Street Signs

The sequence moves from abundant small objects to restrained architecture and dense overhead infrastructure.

Three frames pair mass-produced lucky-cat figurines with quiet temple eaves and a pole crowded with official signage.

It moves from a dense wall of identical objects to spare architectural framing, ending on tangled wires and stacked traffic signs.

Courtyard to Afterglow - Built environments and their surroundings trade places across the sequence: recreational hardware shares paving with carved stone, plants press against masonry, and the frames pull back through canopy and mountainside...
From Open Sky to White Walls - A study of changing distance and proportion, using repeated layers, silhouettes, foreground subjects, vessels, and architecture to connect otherwise distinct scenes.
Loose Frames From a Street Roll - A set of loose, unrelated street frames unified only by their shared roll, ranging from dense poster and print signage to motion-blurred night exposures and a bronze statue.
A Roll From Street Corner To Red-Brick Facade - An eight-frame roll bookended by street-level and architectural scenes, passing through an amusement-park Ferris wheel ride and a pine-lined moat before closing on a red-brick facade and a plaza of police motorcycles,...
Smoke, Stone, and Dark Water - The sequence moves from compressed architectural views into lilies, firefighters, an old car, and a bright fountain.
Rain Green and Harbor Light - The sequence stays close to bark and plants before opening toward buildings, carved wood, boats, and distant hills.
Figures Through Glass - Clear portraits gradually overlap and fade before the sequence dissolves into a pale industrial interior.
Monuments, Counters, and Reflections - Angular sculpture leads toward stone animals, a raised flag, fenced space, a counter, and a blurred cyclist.

Images