Upward Lines
Black-and-white views collect steep angles and isolated symbols above eye level.
Rounded glass and striped facades rise into pale sky, reducing the city to repeated lines, reflective grids, and tilted planes.
A post office sign, an unfocused flag, and a weathered stone figure shift the sequence from large structures toward compact public details.
Open the interactive project view
Related
- Figures, Gates, and Open Sky - The view moves from a courthouse facade to a backlit abstract figure and finally toward a gate opening into grass.
- Rows Beneath Autumn Leaves - The project contrasts vegetation and seasonal color with a metal gate, low walls, grave markers, and the repeated geometry of a landscaped burial ground.
- Between the Carved Towers - The gateway remains fixed while the sequence shows visitors below it, one person before the steps, two front-facing stances, extended arms, and a final rear view.
- Blur, Stone Forms, Open Water - The edit contrasts densely layered human figures with increasingly spacious views of dark structures, foliage, water, exposed rock, and one small primate.
- Curves, Canopy, Cloud - A study of changing scale in which pale architectural curves, a single person, gray sky, forested ridges, and a broad mountain give way to blurred vegetation.
- Loosies - Eight frames move from carved and cast figures to living passersby and back to pure light: a relief figure in shadow, a tilted plaza, silhouetted towers before a low sun, a portrait before a pale colonnade, carved...
- Night Street Photos - A short sequence that opens with two night street scenes, a building of stacked lanterns and signs and a lantern-lit dining alley, then moves to a graffiti-covered wall and ends on a close view of a neon drawing.
- Night Walk Near Shibuya - A night sequence moving from a lit street corner up an elevated walkway's stacked signage, into blurred and overpass views of the street, then upward to clouds, a high-rise, and a closing neon tiger.
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