Double Exposure in Black and White

A sequence of six overlapping black-and-white exposures that layer trees, buildings, glowing cursive text, light trails, and carved stone into single frames.

double exposure / black and white / tree branches / building windows / rowboat

The sequence opens with bare tree branches layered over the vertical grid of a building's windows, a small burst of light breaking through where the two exposures converge. It continues with a blurred, glowing circular shape hovering above a row of low, weathered waterfront buildings, thin vertical light streaks standing along their fronts.

A calm, overhead view of a white wooden rowboat on dark water follows, its bow bordered by faint looping light trails. Two frames of glowing cursive script are then layered onto rippled water and a dark silhouette: one legible word reads 'good,' with further cursive marks cropped at the frame edge, and a second, fully legible, reads 'spirits,' crossing an indistinct dark shape.

The sequence closes on a carved stone figure with a rounded face set into an arched stone surface, a hexagonal, tessellated pattern from a second exposure covering most of the stonework around it. Across all six frames, black-and-white tonal rendering and overlapping exposures tie the layered scenes together.

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Related

Light, Color & Surface

  • Intervals of Visibility - Partial visibility connects isolated forms, softened architecture, layered color, and subjects defined by concentrated light.
  • Same Shots, Warm and Cool - A repetition study: the same dockside boat, the same portrait, and the same riverside shrub each appear twice, rendered once in saturated warm tones and once in cooler, more neutral color.
  • Double Exposure B&W (II) - Layered exposures where two scenes coexist in one frame, moving from painted surfaces to sky, architecture, water, and stone.
  • Double Exposure B&W III - Each frame stacks two visible scenes: hard-edged objects and lettered signs on one layer, plants or patterned surfaces on the other, so that neither layer fully covers the other.
  • Sun Blade, Blue Cross, Red Water - Three visually disparate frames - a sunlit portrait, a blue-lit sanctuary interior, and an overhead view of tinted water - grouped for their shared contrast of sharply divided light and color rather than any confirmed...
  • Through the Pane - A walk through an interior where lit tubing, striped color, warm stone, and a translucent red object are bracketed by two neon works seen through reflective glass.
  • Numbered Mosaic Pillars in a Tiled Passage - A photographic inventory of round, tiled pillars, each carrying one mosaic numeral in a checkered band, arranged as a descending count that skips two digits.
  • The Street Arrives Upside Down - Seven downward views rebuild a city from standing water, one broken facade and passing body at a time.

Images

Bare tree branches overlay the vertical lines of a building's window grid, with a small burst of light near the center of the tangle.
Bare tree branches overlay the vertical lines of a building's window grid in this layered black-and-white frame, a small burst of light breaking through near the center. The two layers blur together, neither fully legible on its own.
A blurred circular shape resembling a spinning wheel of light hovers above a row of low weathered buildings along a waterfront.
A blurred, glowing circular shape hovers above a row of low, weathered waterfront buildings in this layered black-and-white frame. Thin vertical light streaks stand along the building fronts, and a legible sign reading 'diva' appears on the building at the right edge.
A white wooden rowboat with two bench seats and a mooring line floats on dark water, its bow closest to the camera.
Seen from above, a white wooden rowboat with two bench seats and a mooring line rests on dark, calm water. Faint looping light trails run across the water beside the bow, resembling handwriting but not forming legible words.
Glowing cursive script spelling 'good' floats on dark, rippled water beside the wooden bow of a boat visible at upper left.
Glowing cursive script spelling 'good' floats across dark, rippled water, with the planked bow of a wooden boat visible at upper left. Additional cursive marks continue past the right edge of the frame, cropped and not legible.
Glowing cursive script spelling 'spirits' crosses a dark, indistinct silhouette against a plain gray background, oriented sideways in the frame.
Glowing cursive script spelling 'spirits' is superimposed sideways over a dark, indistinct silhouette against a plain gray background. A camera-imprinted date stamp reading '11 11 '24' is visible near the bottom of the frame, alongside dark foliage at upper right.
A carved stone figure with a rounded face is set into an arched stone surface covered by a hexagonal tessellated line pattern.
A carved stone figure with a rounded face is set into a sweeping arched stone surface, beside a scrolled carved element. A hexagonal, tessellated pattern from a second exposure covers most of the visible stone surface surrounding the figure.