Same Shots, Warm and Cool

A repetition study: the same dockside boat, the same portrait, and the same riverside shrub each appear twice, rendered once in saturated warm tones and once in cooler, more neutral color.

marina / docks / wooden runabout / moored boats / sailboat masts

The sequence opens at the water's edge, where a varnished wooden boat sits beside a white dock post numbered 19 and 20 with a hose coiled at its base. In the first frame the polished hull throws a broad orange reflection across still water; in the two wider views that follow, the same small boat, lettered Old & In the Way across its transom, is shown once with the whole marina tipped warm and once with blue sky, green treeline, and white hulls holding their own colors.

A portrait repeats the experiment. A woman in sunglasses is photographed once in profile, her face washed by strong orange flare with the marina dissolved behind her, and once facing the camera in even light, where moored powerboats, a white boat with partially hidden blue lettering, and red-roofed buildings stay legible to the frame edge.

The set closes uphill from the docks. A shrub covered in dense red blossom clusters leans over a bank above a wide river: one frame renders the water and sky in pale warm pastels above overturned canoes and picnic tables, another holds the scene cool with the blossoms sharp against blurred boats below, and a final frame gives the branches the whole sky. The same subjects, twice over, with the color temperature doing the arguing.

Open the interactive project view

Related

Light, Color & Surface

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  • Double Exposure in Black and White - A sequence of six overlapping black-and-white exposures that layer trees, buildings, glowing cursive text, light trails, and carved stone into single frames.
  • Double Exposure B&W (II) - Layered exposures where two scenes coexist in one frame, moving from painted surfaces to sky, architecture, water, and stone.
  • Double Exposure B&W III - Each frame stacks two visible scenes: hard-edged objects and lettered signs on one layer, plants or patterned surfaces on the other, so that neither layer fully covers the other.
  • Sun Blade, Blue Cross, Red Water - Three visually disparate frames - a sunlit portrait, a blue-lit sanctuary interior, and an overhead view of tinted water - grouped for their shared contrast of sharply divided light and color rather than any confirmed...
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  • Numbered Mosaic Pillars in a Tiled Passage - A photographic inventory of round, tiled pillars, each carrying one mosaic numeral in a checkered band, arranged as a descending count that skips two digits.
  • The Street Arrives Upside Down - Seven downward views rebuild a city from standing water, one broken facade and passing body at a time.

Images

Varnished wooden boat hull reflecting low orange sunlight beside a white dock post numbered 19 and 20 with a coiled gray hose on weathered planks.
The varnished hull throws a sheet of orange reflection across the water, anchored by the white utility post marked 19 and 20. A metal cleat and weathered planking hold the lower edge.
Wooden runabout lettered Old & In the Way moored beside a plank dock, with white powerboats, two sailboat masts, and calm water in warm low light.
The small wooden boat rests at the walkway with the whole marina tipped golden around it. Its transom lettering reads Old & In the Way above a smaller, unreadable line.
Wooden runabout lettered Old & In the Way tied near a post numbered 19 and 20, with moored powerboats, tall masts, and a green treeline under pale blue sky.
The same wooden boat at the same walkway, now with blue held in the sky and green in the far shore. Low sun still flares off the varnished side of the hull.
Woman in sunglasses in profile, backlit by low sun with strong orange flare, blurred masts and boats across the water behind her.
A profile portrait taken into the low sun, with orange flare pouring across the left half of the frame. The marina behind her softens into warm, unfocused shapes.
Woman in patterned sunglasses facing the camera on a dock, with moored powerboats, a white boat bearing partially hidden blue letters, and red-roofed buildings behind.
The second take on the portrait holds the scene legible edge to edge: patterned sunglasses mirror the sky while the docks, boats, and rooftops stay sharp behind her. A small green flare arcs across the lower left.
Red flowering shrub in the right foreground above a wide river, with overturned canoes, kayak racks, picnic tables, and closed umbrellas on the grassy bank below.
From a rise above the bank, the red-blossomed shrub frames a wide, soft-focus river under a pale warm sky. Racked canoes, picnic tables, and closed umbrellas sit on the grass below.
Sharp red flower clusters on shrub branches at right overlooking a pale river, with blurred stacked canoes below and a wooded far shore.
The second pass at the overlook holds the blossoms in crisp focus while the river cools toward pale blue-green. Stacked canoes in yellow and blue blur along the bank below.
Dense clusters of red blossoms and green leaves on tall shrub branches against a clear pale sky, with a building corner visible low among the stems.
The shrub alone: crinkled red blossom clusters, round buds, and green leaves fill the frame against a clear sky. A sliver of building surfaces low in the branches.