Close, Then Far

Eight frames move from surface to room: two macro studies of pattern and fiber, a wall of small gold-framed landscapes and a single frame corner, then a gallery interior, a painting of dancers, a heavily framed dreamlike scene, and a painted stone relief.

gallery / museum interior / framed paintings / close detail / pattern

The sequence opens at point-blank range. An orange paisley shape crowded with small flowers presses against a dark frame edge, and a few frames later the lens sinks into a field of red, gold, and green strands where the object itself disappears and only texture and glints remain.

Then the camera backs up. Twelve small oval and round landscapes in gold frames hang in a diamond on a pale wall while two visitors stand in silhouette at the edges. One gilt corner gets its own study, its carved rim throwing a sawtooth shadow down the wall. A wider view shows a geometric canvas on a dark wall beside a profile portrait of a woman with an afro on a freestanding panel.

The roll closes on three very different pictures seen in full: six dancers in pink leaning into one step, a nude figure on a pedestal above a crowd inside a heavy red-bordered frame, and the red-painted legs of a striding figure carved into pale stone, one hand holding an ankh.

Open the interactive project view

Related

Objects & Interiors

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  • A Sculpted Creature Across Four City Frames - A short sequence following a large sculpted creature head and figure through different settings, from a blurred street-level reflection to an elevated view above illuminated hotel and cinema signage.
  • Wood Room, Night Street - A sequence that alternates between a still, warmly lit interior and blurred, brightly lit exteriors after dark, bookended by two frames where light itself is the subject.
  • A Night Walk From Street To Table - A seven-frame night-walking sequence that keeps shifting between street and interior — a fractured mirror facade, a bar's amber still life, an open ramen counter, a train platform pause, a newsstand, a glowing...
  • Passages Above Open Water - Sunlit structure gives way to a dim doorway window and a bright wall-mounted telephone with a hard-edged shadow.
  • Warm Rooms and Reflected Orbs - The camera moves between ambient rooms and close objects, using reflection and blur to multiply the light.

Images

A large orange paisley shape filled with small blue and green flowers sits on a dark blue patterned ground beside a dark frame edge.
The camera stands close enough that pattern replaces room. A dark frame edge at the left and bottom is the only hint of the wall around it.
Dense fine strands in red, gold, green, and dark tones sweep diagonally across the whole frame, dotted with small bright glints of light.
Fibers fill the entire frame until the object disappears. Only the diagonal sweep of the strands and a scatter of glints remain.
Twelve small oval and round landscape paintings in gold frames hang in a diamond cluster on a pale wall, with two dark figures at the edges.
After the close-ups the camera steps back to a wall of small oval seascapes and hills. Two visitors in silhouette press in from either side.
The lower right corner of an arched gold frame surrounds a field of green paint, casting a jagged sawtooth shadow onto the pale wall below.
One frame gets its own portrait: burnished gold, a scalloped carved edge, and a field of sea green. The carved rim throws a serrated shadow down the wall.
A gallery view with a large geometric painting in green, yellow, pink, and blue on a dark wall and a framed portrait of a woman with an afro.
Deeper in, the rooms open up. A bold geometric canvas holds the far wall while a portrait on a freestanding panel looks out past the camera.
A painting shows six dancers in pink dresses bending forward in a row, with two golden arches on a blue-grey backdrop behind them.
Six figures in pink lean into the same step. Behind them, two golden arches and a blue-grey drop turn the stage into a loose sketch.
A dark wooden frame with a red inner border holds a painting of a nude figure on a pedestal above a crowd of small figures.
The heaviest frame in the roll holds the lightest sky. A figure stands on a pedestal with a hole through the torso while a crowd gathers below.
A carved stone relief shows the red-painted striding legs of a figure whose hand holds an ankh-shaped loop, with block joints crossing the surface.
The roll ends on stone. Two red legs stride across weathered blocks, one hand holding an ankh, a curved object beside it, the feet outside the frame.